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珍品赏析: 清朝乾隆铜鎏金景泰蓝鏨嵌镶翡翠宝石莲花罐

2019-05-31 20:37 消息来源:未知

清代宫廷首饰宝石以一种繁复奢华的格局体现了清代满族华丽和富贵的审美倾向。首饰宝石的配色对比更为强烈夸张,热衷红绿、红蓝这样的对比色和补色搭配,色彩虽然浓郁艳丽却也能在丰富与醒目中求得和谐平衡、艳而不燥、张扬中不失内涵。点翠工艺的应用更是将翠蓝色和宝蓝色的魅惑之美发挥到极致,在中华民族“尚青”的审美传统上又描绘了浓墨重彩的一笔。

最能代表清廷审美风尚发展的大概就是清代乾隆朝,这一时期是一个奢华至极的时代,皇室新贵们对宝石奢侈品的要求越来越高从而创造出了一个纯粹为装饰而装饰的时代,就如欧洲的洛可可时期一样——纯粹的奢华。清廷崇尚色彩艳丽、材质显贵的用材审美文化,重视纤细精巧、繁褥精致的形式效果,这也造就了清代宫廷首饰雍容华贵的艺术风格。

 

 

这款金器是落款乾隆年制,属于铜鎏金景泰蓝鏨嵌镶翡翠宝石莲花罐简称“清乾隆金嵌宝石莲花尊”,总高度34cm,底部直径17.5cm,通身使用1098颗不同的宝石镶嵌而成,辅以通身景泰蓝制作工艺,堪称清乾隆宫廷用品金器中的极品此物莲花罐的上部与下部共镶有满绿帝王绿翡翠鸽子蛋大蛋面12颗,直径都在25mm以上最顶上的红宝石珠子更是顶级的鸽血红宝石,质地清澈光泽艳丽。

“清乾隆金嵌宝石莲花尊”共镶嵌红宝石碧玺宝石、星光宝石、帝王绿翡翠、红翡翠等合计1098颗,每一颗宝石都玲珑剔透,质地温润。其中更是镶嵌带有神奇星光的红宝石16颗,呈红色到粉红色均属于红宝石当中价值最高的星光宝石

“清乾隆金嵌宝石莲花尊”采用最先进的首饰合金配比,24K亚金包24K纯金,沿展性好,色泽金黄饱满,永不褪色,使工艺美术大师们的精湛绝技展现的淋漓尽致!此金器制以合盖双层莲花罐造型,整体雍容华贵,庄严大气,景泰蓝工艺的点缀更是体现清朝乾隆宫廷的华丽风格。

该件“清乾隆金嵌宝石莲花尊”目前由深圳市雅翠堂文化代理宣传,将于近期参与各大拍卖会,如有意入手珍藏者,请致电雅翠堂文化。

    雅翠堂文化在接触该民间珍藏佳品后,翻阅不少资料史书,均未找到一件一模一样的铜鎏金景泰蓝鏨嵌镶翡翠宝石莲花罐此物堪称天下独一无二的宫廷御赐精品。

根据史料记载及馆藏博物馆资料可查,雅翠堂了解到有几样类似的宝石金器于近代出土登记:

 

 

嵌宝石金头面

明代(公元1368-1644年)南京江宁将军山沐斌夫人梅氏墓出土

说明:共六件,形制各异,每件均镶嵌红、蓝宝石,精巧华美,色泽艳丽,观之宝光璀璨,美不胜收。沐斌是明朝开国功臣沐英之孙,袭封黔国公,梅氏是沐斌的侧室夫人。

 

 

 

嵌红蓝宝石金耳坠

明代(公元1368-1644年)长4.3厘米,宽1.2厘米,坠首长3.2厘米 南京板仓徐俌夫人朱氏墓出土

说明:红蓝宝石的镶嵌部分类似茄形,应是明代《天水冰山录》中提到的“金厢珠宝茄耳坠”以及其他文献中提到的“天生茄儿”耳坠。

 

 

 

嵌宝石金镯

明代(公元1368-1644年)直径7厘米 南京江宁将军山沐斌夫人梅氏墓出土

说明:一对。镯内壁光素,打磨十分光洁;外壁焊有数个等距离分布的花丝金托,托内镶嵌各色宝石。每只手镯各由两个半圆形扁平金片合成,其中一端作“活页式”铰链相连,另一端用一根插销链接,手镯可自由启合。

而因国家宝藏节目大火的故宫馆藏珍品清乾隆金嵌宝金瓯永固杯更是与该件“清乾隆金嵌宝石莲花尊”有异曲同工之妙的工艺,应是出自同一时期的乾隆宫廷之手。

 

 

 

 

 

 

 

 

 

 

目前故宫博物院收藏的大量金银器中,以清代皇帝和后妃御用的金银器最为丰富,其中有礼乐器、生活用具和各种陈设器,也有宗教文物中的佛像、龛塔、供器、法器等。这些器物的工艺制作采用了铸造、锤鍱、錾刻、累丝等多种技术,还有许多金银器镶嵌着珍贵的宝石、美玉、翡翠、碧玺等。

该件“清乾隆金嵌宝石莲花尊”目前由深圳市雅翠堂文化代理宣传,将于近期参与各大拍卖会,如有意入手珍藏者,请致电雅翠堂文化。

 

 

附上英文版

The court jewels of the Qing Dynasty reflected the gorgeous and rich aesthetic tendency of the Manchu in the Qing Dynasty in a complicated and luxurious pattern. The color matching of jewelry gems is more exaggerated. I am keen on the contrasting colors and complementary colors such as red, green and red. Although the colors are rich and colorful, they can also find a harmonious balance in rich and eye-catching, bright and not dry, and not lose the content in publicity. . The application of the point green craftsmanship is to bring the beauty of the charm of emerald blue and royal blue to the extreme, and to depict the rich and colorful in the aesthetic tradition of the Chinese nation "Shangqing".

The most representative of the aesthetic development of the Qing court is the Qianlong dynasty of the Qing Dynasty. This period is an era of luxury. The royal dignitaries are increasingly demanding gems and luxury goods, thus creating a decoration that is purely decorative. The times are just like the Rococo period in Europe - pure luxury. The Qing court advocates the aesthetic culture of colorful and precious materials, paying attention to the delicate and exquisite and refined form effect, which also creates the graceful and elegant artistic style of the Qing Dynasty palace jewelry.

This goldware is a long-lasting Qianlong system. It belongs to the bronze enamel enamel blue embellished emerald gem lotus pot, referred to as “Qinglonglong gold inlaid gemstone lotus statue”, with a total height of 34cm, a bottom diameter of 17.5cm, and 1098 different body. The gemstone is inlaid with the craftsmanship of cloisonne, which is the best in the Qing Emperor's court supplies. The upper and lower parts of the lotus pot are set with 12 green emerald green jade pigeon eggs and large eggs. All are above 25mm, and the top ruby beads are the top pigeon blood ruby, the texture is clear and shiny.

"Qinglong Qianlong Gold Inlay Gem Lotus" is a total of 1098 pieces of ruby, tourmaline gemstone, star gemstone, emperor green jade, red jade, etc. Each gem is exquisite and smooth, and the texture is warm. Among them, 16 rubies with magical starlight are red to pink, which are among the most valuable star gemstones in ruby.

"Qinglong Qianlong Gold Inlay Gem Lotus" uses the most advanced jewellery alloy ratio, 24K gold bag 24K pure gold, along the exhibition, the color is golden and full, never fade, so that the craftsman masters show the exquisite stunts ! This goldware system is decorated with double-layer lotus tanks. The overall elegance is luxurious and solemn. The embellishment of cloisonné crafts reflects the gorgeous style of the Qianlong court in the Qing Dynasty.

The piece "Qinglong Qianlong Gold Inlay Gem Lotus" is currently promoted by Shenzhen Yacuitang Culture Agent and will participate in major auctions in the near future. If you are interested in starting a collector, please call Yacuitang Culture.

After touching the folk collection, Ya Cuitang culture read a lot of historical materials and found no identical bronze enamel enamel enamel gem lotus pot. This is a unique palace gift.

According to historical records and collection museum materials, Ya Cuitang learned that several similar gemstones were unearthed in modern times:

Inlaid gemstone face

The Ming Dynasty (AD 1368-1644) was unearthed from the tomb of Mrs. Mu Bin, Mrs. Mu Bin, Nanjing Jiangning

Description: A total of six pieces, each with different shapes, each set with red and sapphire, exquisite and gorgeous, bright color, and the treasure of the view is beautiful. Mu Bin is the grandson of Mu Ying, the founding father of the Ming Dynasty. He is the wife of the side room of Mu Bin.

Red sapphire gold earrings

The Ming Dynasty (AD 1368-1644) was 4.3 cm long, 1.2 cm wide, and 3.2 cm long. The unearthed from the Zhu’s tomb of Mrs.

Description: The inlaid part of the red sapphire is similar to the shape of the eggplant. It should be the "Golden Chamber Jewelry Earrings" mentioned in the Ming Dynasty "Tianshui Iceberg Record" and the "Natural Eggs" earrings mentioned in other literatures.

Inlaid gemstone bracelet

Ming Dynasty (AD 1368-1644) diameter 7 cm Nanjing Jiangning General Jun Mu Bin's wife Mei's tomb unearthed

Description: A pair. The inner wall of the bracelet is polished and polished; the outer wall is welded with several filaments of equidistant distribution, and the interior is set with various colored stones. Each bracelet is composed of two semi-circular flat gold pieces, one end of which is connected as a "loose-leaf" hinge, and the other end is linked by a pin, and the bracelet can be freely opened and closed.

The National Palace Treasures Museum’s treasures, the Qing Emperor Qianlong’s gold-embedded treasures, and the gold-plated eternal cups are similar in craftsmanship to the Qing Emperor Qianlong’s gold-embellished jewels. It should be from the same period of the Qianlong court. .

At present, among the large quantities of gold and silverware collected by the Palace Museum, the gold and silver wares used by the emperors of the Qing Dynasty and the ancestors of the Qing Dynasty are the most abundant. Among them, there are ritual instruments, living utensils and various furnishings, as well as statues, towers, and feeders in religious relics. Instruments, etc. The craftsmanship of these utensils is made by casting, hammering, engraving, and silking. There are also many gold and silverware inlaid with precious stones, jade, jade, tourmaline and so on.

The piece "Qinglong Qianlong Gold Inlay Gem Lotus" is currently promoted by Shenzhen Yacuitang Culture Agent and will participate in major auctions in the near future. If you are interested in starting a collector, please call Yacuitang Culture.

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本文关键词:珍品,赏析,清朝,乾隆,铜鎏,金,景泰蓝,鏨嵌,镶,